I edited one from the group because I felt that it did not have the same voice or aesthetic as the others. It was overacted. Within the tradition of early performance art, there is a commitment to the real that lacks theatricality. That piece had too much script and not enough commitment. The others do have a strong commitment to a particular way of seeing, through the lens of surveillance. The tendency of the camera should be unifying.
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I edited one from the group because I felt that it did not have the same voice or aesthetic as the others.
It was overacted. Within the tradition of early performance art, there is a commitment to the real that lacks theatricality. That piece had too much script and not enough commitment. The others do have a strong commitment to a particular way of seeing, through the lens of surveillance. The tendency of the camera should be unifying.
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